Pikle - The Diary Junction

PIKLE · THEDIARYJUNCTION . KIPFENN · CONTACT

THIS IS THE DIARY JUNCTION - DATA AND LINKS FOR OVER 500 HISTORICAL AND LITERARY DIARISTS
PLEASE TAKE A MOMENT ALSO TO LOOK AT KIP FENN, A MAJOR NOVEL ABOUT THE 21st CENTURY - freely available on this site

Klee, Paul ___ 1879-1940 ___ Swiss ___ artist

BIOGRAPHICAL SUMMARY
Klee was born in Munchenbuchsee into a family of musicians. He studied art at the Munich Academy of Fine Art and then travelled to Italy several times before settling in Bern in 1902. In the year 1906, he married Lily Stumpf, moved to Munich, and held an exhibition there of satirical etchings. It is said that colour only became central to Klee's art after a trip to Tunisia in 1914 (during which he kept a diary). Further exhibitions followed, but in 1916, he was called up to serve in the army. However, he did not see front line action, and was employed painting aeroplanes some of the time. Subsequently, Klee taught at the Bauhaus in Weimar and Dessau. In 1925, he published'Pedagogical Sketchbook'. Among his notable exhibitions of this period were those in New York, at the Société Anonyme and the Museum of Modern Art, and a first major show in Paris at the Galerie Vavin-Raspail. With the emergence of the Nazis, Klee returned to Switzerland. A large number of his paintings left behind in Germany were confiscated by the Nazis. In 1935, Klee developed scleroderma, a debilitating disease.
One biography link

DIARY DATES, CONTENT DESCRIPTORS
1897-1918 1914 ___ military travel art creativity Italy Germany Tunisia

WEB TEXT LINKS
several short quotes
one quote
several quotes

ORIGINAL MANUSCRIPT LINKS
Zentrum Paul Klee ___ maybe here

SOME PUBLISHED TITLES
The Diaries of Paul Klee 1898-1918
Diary of Trip to Tunisia

November 2005
THIS IS THE DIARY JUNCTION - DATA AND LINKS FOR OVER 500 HISTORICAL AND LITERARY DIARISTS
Please email if you have any corrections, additions or comments.

IMPORTANT NOTES AND CAUTIONS:
1) The first line of basic information may be incomplete in several ways: some historical figures have different names (titles, pen-names); their birth and death dates may be unknown or uncertain (g - guess, c - circa); similarly, their occupations may be unknown, or they may have had other jobs; and, for early diarists, I've used 'British' a bit too freely. 2) The biographical summary may not be accurate. It was compiled quickly from various sources, mostly on the internet, and the facts were not checked anywhere near as rigorously as they would have been if they'd been intended for publication in a printed form. 3) The journal dates and descriptors (which are in no particular order) must be treated with caution: since I have not examined the diaries myself, the descriptors are only guesses based on bibliographies, anthologies and internet biographies. 4) For the biography and etext links, I have ignored any sites with charges, and I have avoided, wherever possible, those with pop-ups or too much advertising. I have limited myself to providing three etext links where there is some variety between them. 5) For the original manuscript links, I have limited myself to providing a maximum of two (although, for a few diarists, their original diaries are held in more than two places). 6) I have provided the titles - chosen randomly - for up to three printed editions of the diaries.